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Criticisms of rap

  • The lyrics
    • Lack of substantial / sophisticated messages in the lyrics.
      • Keith Richards (of The Rolling Stones) - "So many words, so little said." (Source)
    • Lack of variety in the messages / topics of songs.
      • Keith Richards (of The Rolling Stones) - "So many words, so little said." (Source)
  • The accompaniment
    • Lack of sophistication in the melodies
      • Keith Richards (of The Rolling Stones) - "What rap did that was impressive was to show there are so many tone-deaf people out there. All they need is a drum beat and somebody yelling over it and they’re happy. There’s an enormous market for people who can’t tell one note from another." (Source)

Books

  • Lyrics
    • Book of Rhymes: The Poetics of Hip Hop
      • This is by an English professor, so I wouldn't expect much from this book.
    • The Complete MC ← Website is dead.
    • Hip Hop Rhyming Dictionary
    • How to Rap - Paul Edwards
      • This series seems like it's probably the most legit of those in this list, but Vol. 1 covers the entire process of rapping, so the process of writing lyrics only takes up a fraction of the book.
      • Contents
        1. Content
        2. Flow
          1. How Flow Works
            1. The Flow Diagram
            2. Beats and Bars
            3. Syllables and Stressed Syllables
            4. Fitting the Lyrics to the Beat
            5. Rests
            6. Overlapping Bars
            7. How Is the Flow Diagram Useful?
            8. More Examples
          2. Rhyme
            1. Perfect Rhyme
            2. Assonance (Vowel Sound Rhyme)
            3. Alliterating and Consonance
            4. Compound Rhymes (Multisyllable Rhymes)
            5. Coming Up with Rhymes
          3. Rhyme Schemes
            1. Types of Rhyme Scheme
            2. Extra Rhymes
            3. Number of Rhymes in a Bar
            4. Rhyme Placement
          4. Rhythm
            1. Coming Up with Rhythms
            2. The Pattern Diagram
            3. Patterns of Rhythms
            4. Rests
        3. Writing
          1. The Writing Process
          2. Beats and Freestyling
          3. Structuring, Editing, and Selecting Lyrics
          4. Writing with Other People
        4. Delivery
    • How to Rap 2: Advanced Flow and Delivery Techniques
      • This seems like probably the most-useful book of the books in this list.
      • Contents
        1. Advanced Rhythm Techniques
          1. Vocal Percussion
          2. Writing from the Rhythm
          3. 16ths
          4. 32nds
          5. Triplets
          6. Flams
          7. One Syllable on Each Beat
          8. Sliding Off the Beat (Lazy Tails)
          9. Rolled Rs
          10. Rests
          11. Punctuating the Offbeat
          12. Repeating Phrases with Different Rhythms
          13. 3/4 Time and Other Time Signatures
        2. Advanced Vocal Techniques
          1. Section A - Overall Voice Sound
          2. Section B - Specific Techniques
          3. Section C - Sounds Without Words
          4. Section D - Melodic Deliveries
          5. Section E - Character, Personality, and Emotions
        3. Advanced Rhyme Techniques
          1. Runs of Rhyme
          2. Alternate Rhyme Scheme Patterns
          3. Joining Rhyme Schemes Together
          4. Popular Couplet Rhyme Placement Patterns
          5. More Complex Extra Rhymes
          6. Breaking Patterns
          7. Three-Bar Loops
          8. Poetry Terms Versus Rapping Terms: A Note on Terminology
        4. Enunciation Rudiments
          1. Basic Enunciation Guidelines
          2. Consonant Sounds
          3. Consonant Combinations
          4. Vowel Sounds
          5. Vowel Combinations
        5. Final Words
          1. Summary: It's just ~2 pages of 1-paragraph advice from the interviewed rappers.
          2. Advice given:
            1. Listen to and study as much rap as you can; listen to and study all the rap that has come before you and use it to build your repertoire of techniques and to better understand how rap works and what's possible.
              1. Three different rappers gave this as their advice.
            2. Have a unique sound and identity. Too many people are copying each other and whatever's successful.
              1. On the other hand, I think even Eminem shifted his style from his first LP to the Slim Shady LP to be closer to what was selling (violence). So you want to try to satisfy the underlying cause of what's selling while making your product different on the surface so it'll be more interesting / fresh.
            3. To sound really good, put time into what you make. Don't just focus on doing whatever's trending.
            4. Make your flow great.
              1. "You could be saying something degrading, but if the flow is great, everyone is gonna listen to it. And you can be saying something that's worthwhile and great and positive, but if the flow was cheesy and wack, no one's gonna listen to it."
            5. Show your work-in-progress to strangers while you're working on it to get honest feedback that'll make the final product better.
              1. NW: This was probably the most significant advice I read. This is exactly what comedians do.
            6. Work as hard as you can if you want to make a living from rapping, because there's a ton of competition.
            7. Don't think talent is what dictates record sales.
              1. "Record sales have nothing to do with having talent, having ability."
    • How to Rap - Tayker
    • How to Rhyme Vol. 1
      • Seems useless. There's no table of contents, the rating is 3.5 stars with 39 reviews, the book just looks shoddily put-together.
    • How to Rhyme Vol. 2
      • Seems useless for the same reasons as with Vol. 1.
    • The Rap Rebirth Lyricist Guide: How to Write Amazing Hip-Hop Lyrics
    • The Rap Year Book
    • The Rapping Manual
  • Beats / Melodies
  • Books about different rap songs' lyrics, but not exactly a 'how-to' for writing lyrics:
  • Not rap, but related:

Rap-analysis websites

 

 

  • Eminem Interview with 60 Minutes
    •  Click here to expand...

      Anderson Cooper: I've heard you say that you bend the word.

      Marshall Mathers: Yeah, it's just in the enunciation of it; like, people say that the word "orange" doesn't rhyme with anything, and that kind of pisses me off, because I can think of a lot of things that rhyme with orange.

      AC: What rhymes with orange? I'm trying to think–I can't think of anything...

      MM: If you're taking the word at face value and you just say "orange", nothing is going to rhyme with it exactly. If you enunciate it and make it more than one syllable, "o-range", you could say, like, I put my orange four-inch door-hinge in storage and ate porridge with Geor-ridge. You just have to figure out the science to breaking down words.

      AC: And do you think about this throughout the day? When you're driving along, do you think about rhyming words?

      MM: Yeah, all day. Yeah, I actually drive myself insane with it.

      AC: But it's interesting for a guy who hated school, who was in the 9th grade three times, you spend all your time thinking about words.

      MM: I found that no matter how bad I was at school, and no matter how low my grades might have been at some times, I always was good at English.

      AC: I heard that you used to read the dictionary.

      MM: I just felt like, "I want to be able to have all of these words at my disposal, in my vocabulary, at all times, whenever I need to pull 'em out. Somewhere they'll be stored, locked away.

      AC (Narrating): His words are stored but they're not exactly locked away. He actually keeps them in boxes.

      AC: You store stuff in just boxes like this.

      MM: Yes.

      AC (Narrating): Inside are hundreds of scraps of paper on which he's obsessively scrawled words and phrases.

      AC: So, wait, this is a pad from a hotel in Paris, it looks like.

      MM: Yeah.

      AC: And you just scribbled four little words, scribbled there.

      MM: Yeah.

      AC: How do you even read this? This is tiny?

      MM: I know what it says...I guess. (Looks at pad.) I might use that, actually.

      AC (Narrating): They're not lyrics, really, they're just ideas that he collects. He calls it "stacking ammo".

      AC: I've gotten letters from crazy people, and they kind of look like this.

      MM: Yeah?

      AC: Sometimes, yeah. They're all in capital letters or they're scrawled on pages like this.

      MM: Yeah, well, that's probably because I'm crazy.

 

 

 

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